Guy Schofield

g.p.schofield@ncl.ac.uk | Research Associate

Guy Schofield

Guy Schofield holds a BA in Fine Art from Cumbria Art College and a MA in Fine Art from Newcastle University. He is currently a research associate at Open Lab working mainly on connections between the audio and the visual. His PhD, Soundtrack Controlled Cinematographic Systems, centres around building systems that allow musicians to direct movies from musical performance. He is also 50% of audiovisual act The Turing Test and 1/3 of interactive performance system humanaquarium.


2017

Exploring Space with Field Venturer
Schofield G, Schofield T, Research Through Design (RTD 2017)98-113

2016

TryFilm: Situated Support for Interactive Media Productions
Bartindale T, Schofield G, Crivellaro C, Wright P, The 19th ACM Computer-Supported Cooperative Work & Social Computing (CSCW 2016)1412-1422
Scaffolding Community Documentary Film Making Using Commissioning Templates
Bartindale T, Schofield G, Wright P, ACM Conference on Human Factors in Computing Systems 20162705-2716

2015

Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization
Schofield T, Kirk D, Amaral T, D&#246, rk M, Whitelaw M, Schofield G, Ploetz T, Digital Humanities Quarterly
Designing for and with People with Parkinson's: A Focus on Exergaming
McNaney R, Balaam M, Holden A, Schofield G, Jackson D, Webster M, Galna B, Barry G, Rochester L, Olivier P, 33rd Annual ACM Conference on Human Factors in Computing Systems501--510
Beyond Participatory Production: Digitally Supporting Grassroots Documentary
Green D, Bowen S, Newell C, Schofield G, Bartindale T, Crivellaro C, Sheik A, Wright P, Olivier P, Proceedings of the 33rd annual SIGCHI Conference on Human Factors in Computing Systems CHI 20153157-3166
Bootlegger: Turning Fans into Film Crew
Schofield G, Bartindale T, Wright P, 33rd Annual ACM Conference on Human Factors in Computing Systems CHI 15767-776

2014

Cinejack: using live music to control narrative visuals
Schofield G, Green D, Smith T, Wright P, Olivier P, DIS '14 Proceedings of the 2014 Conference on Designing Interactive Systems209-218 
<em>Nightingallery</em>: theatrical framing and orchestration in participatory performance
Taylor R, Schofield G, Shearer J, Wright P, Boulanger P, Olivier P, Personal and Ubiquitous Computing1583-1600
CyberZink 3D printed cornett
Savan J, Schofield G,
Retraining function in people with Parkinson’s disease using the Microsoft kinect: game design and pilot testing
Galna B, Jackson D, Schofield G, McNaney R, Webster M, Barry G, Mhiripiri D, Balaam M, Olivier P, Rochester L, Journal of NeuroEngineering and Rehabilitation1-12

2013

Cinehack: Supporting Micro-budget Digital Film and Video Production
Schofield G, Green D, Hook J, Wright P, Olivier P, DE2013: The Fourth Annual Digital Economy All Hands Conference1-2
Crafting interactive systems: learning from digital art practice
Taylor R, Schofield G, Hook J, Ladha K, Bowers J, Wright P, CHI EA 2013: Extended Abstracts on Human Factors in Computing Systems3223-3226

2012

PD Kinection - Retraining function with exercise based computer games for people with Parkinson’s disease
Galna B, Jackson D, Olivier P, Schofield G, Barry G, Balaam M, McNaney R, Webster M, Mhiripiri D, Rochester L, Parkinson's UK Research Conference
Exploring HCI's Relationship with Liveness (CHI'12 Workshop)
Hook J, Schofield G, Taylor R, Bartindale T, McCarthy J, Wright P, CHI EA 2012: CHI '12 Extended Abstracts on Human Factors in Computing Systems2771-2774
Engaging Older People through Participatory Design
Lindsay S, Jackson D, Schofield G, Olivier P, ACM Conference on Human Factors in Computing (CHI'12)1199-1208
Enabling Self, Intimacy and a Sense of Home in Dementia: An Enquiry into Design in a Hospital Setting
Wallace J, Thieme A, Wood G, Schofield G, Olivier P, ACM Conference on Human Factors in Computing (CHI'12)2629-2638

2011

Advanced Composition in Virtual Camera Control
Abdullah R, Christie M, Schofield G, Lino C, Olivier P, International Symposium on Smart Graphics (SG'11)13-24
Advanced Composition in Virtual Camera Control
Abdullah R, Christie M, Schofield G, Lino C, Olivier P, Smart Graphics: 11th International Symposium on Smart Graphics13-24
Designing from within: humanaquarium
Taylor R, Schofield G, Shearer J, Wallace J, Wright P, Boulanger P, Olivier P, 29th Annual Conference on Human Factors in Computing Systems (CHI)1855-1864
humanaquarium: exploring audience, participation, and interaction
Taylor R, Schofield G, Shearer S, Wallace J, Wright P, Boulanger P, Olivier P, ACM Conference on Human Factors in Computing (CH'11)1117-1122
Cueing for drooling in Parkinson's disease
McNaney R, Lindsay S, Ladha K, Ladha C, Schofield G, Ploetz T, Hammerla N, Jackson D, Walker R, Miller N, Olivier P, 29th Annual CHI Conference on Human Factors in Computing Systems (CHI)619-622

2010

A Real-time Cinematography System for Interactive 3D Environments
Lino C, Christie M, Lamarche F, Schofield G, Olivier P, Eurographics/ACM SIGGRAPH Symposium on Computer Animation (SCA)139-148
OverWatch: Real-Time Narrative Visuals from Live Performance
Schofield G, Casey R, Olivier P, Smart Graphics: 10th International Symposium on Smart Graphics261-264
Phantasmagoria: Composing Interactive Content for the humanaquarium
Taylor R, Schofield G, Shearer J, Boulanger P, Wallace J, Olivier P, Smart Graphics: 10th International Symposium on Smart Graphics269-272

2009

The IRIS network of excellence: Future directions in interactive storytelling
Cavazza M, Champagnat R, Leonardi R, Charles F, Porteous J, Donikian S, Christie M, P&#233, pin N, Spierling U, Hoffmann S, Szilas N, Axelrad M, Richle U, Vorderer P, Roth C, Vermeulen I, Klimmt C, Andr&#233, E, Bee N, Endrass B, Kurdyukova K, Leichtenstern K, Petta P, Rank S, Olivier P, Schofield G, Jackson D, Interactive Storytelling: Second Joint International Conference on Interactive Digital Storytelling8-13

Associated Projects

  • How to Make A Music Video 'Zine
    Drawing upon previous fieldwork in Cape Town, we produced a lo-fi, easily-reproducable, field-guide/manual in the form of a 'zine entitled 'how to make a music video'. The 'zine is available both as a hard-copy, distributed via Hype Magazine (a Cape ...
    August 30, 2011
  • Bootlegger
    Bootlegger is a revolutionary new tool for shooting live event videos using mobile phones. Musicians and fans can connect using Bootlegger to produce high-quality multi-camera concert fi­lms. Bootlegger acts as director and producer, coordinating came...
    August 30, 2011
  • Cinehack
    Cinehack is about hacking film. It’s about the stuff you won’t learn at film school… Cinehack's aim is to support lo/no-budget filmmakers and provide a place to gain and share insights which might be interesting to newbie movie-makers and cine...
    August 30, 2011
  • Cinehack: Cape Town
    Cinehack: Cape Town is a Participatory Action Research (PAR) project, which involved the production of music videos with musicians from the Cape Town Hip hop community. PAR involves working closely with communities to "address questions and issues that...
    August 30, 2011
  • Nightingallery
    The Nightingallery was an interactive musical installation featuring an animatronic bird. Members of the public were encouraged to approach and talk to the bird. The human voice was processed and then used to drive a synthesiser that meant the bird cou...
    August 30, 2011
  • humanaquaurium
    humanaquarium is a movable performance space designed to explore the ephemeral yet tangible relationship between artist and audience in the performing arts traditions. Two musicians collaborate with participants, sharing the intimacy of co-cre...
    August 30, 2011
  • CraftCube
    The CraftCube initiative presented new and exciting ways of displaying, interpreting and accessing contemporary craft with a focus on new technology. The aim of the research-based CraftCube series was to champion and expose to a broader audience practi...
    August 30, 2011
  • Soundtrack Controlled Cinematographic Systems
    Lighting and visuals in the form of projected video can greatly augment live music performances, and are becoming increasingly expected during performances in order to maintain the interest of the audience and to support an act’s identity. While adva...
    August 30, 2011
  • Computational Cinematography
    As 3D virtual environments become more realistic, there is an increasing demand for more immersive interactive narratives, but it is difficult to come up with camera control techniques that can contribute to this because of the unplanned nature of ...
    August 30, 2011
  • IRIS: Integrated Research in Interactive Storytelling
    Interactive storytelling endeavours to implement systems that will create narratives in which the user can become fully involved. For example, a user could interfere with the action of a well-known play, resulting in a different ending from the one the...
    August 30, 2011
 
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