One Knob To Rule Them All: Reductionist Interfaces for Expansionist ResearchNew Interfaces For Musical Expression433-438
<em>Unfoldings: </em>Multiple Explorations of Sound and SpaceNew Interfaces For Musical Expression152-157
Many Makings: Entangling Publics, Participation and Things in a Complex Collaborative ContextACM Conference on Designing Interactive Systems1246-1257
Many Makings: Entangling Publics, Participation and Things in a Complex Collaborative Context2016 ACM Conference on Designing Interactive Systems (DIS 16)1246-1257
One Knob To Rule Them All: Reductionist Interfaces For Expansionist Research16th International Conference on New Interfaces For Musical Expression (NIME 2016)
Prototyping Heritage: Collections, Materials and Emerging Approaches to Engagement.Proceedings of the 2nd Connected Communities Heritage Network Symposium1-13
Making Magic: Designing for Open Interactions in Museum SettingsC&C '15 SIGCHI Conference on Creativity and Cognition313-322
Data-Things: Digital Fabrication Situated within Participatory Data Translation ActivitiesCHI '15 Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems2467-2476
<em>Fields</em>: An Exploration into the use of Mobile Devices as a Medium for Sound DiffusionNew Interfaces For Musical Expression281-284
Public Making: Artistic Strategies for Working with Museum Collections, Technologies and PublicsInternational Symposium on Electronic Art
Exploring gesture sonification to support reflective craft practiceCHI 2015 33rd Annual ACM Conference on Human Factors in Computing Systems67-76
The Palimpsest Machine1
Reappropriating Museum Collections: Performing Geology Specimens and Meterology Data as New Instruments for Musical ExpressionNew Interfaces For Musical Expression175-178
HCI: Human-computer improvisationProceedings of the 2014 companion publication on Designing interactive systems (DIS Companion '14)203-206
Volvelles, domes and wristbands: embedding digital fabrication within a visitor's trajectory of engagementDIS'14: 2014 conference on Designing interactive systems.825-834
Musical MESHWORKS: From networked performance to cultures of exchangeProceedings of the Conference on Designing Interactive Systems: Processes, Practices, Methods, and Techniques (DIS 14)219-228
Hybrid Resonant Assemblages: Rethinking Instruments, Touch and Performance in New Interfaces for Musical ExpressionNIME 2014: New Interfaces for Musical Expression.
Reappropriating Museum Collections: Performing Geology Specimens and Meterology Data as New Instruments for Musical Expression.NIME 14: New Interfaces for Musical Expression.
"Which Brew are you Going to Choose?" An interactive 'Tea-Decider-er' in a Teahouse Shop WindowLaval Virtual: 16th International Conferences and Exhibition of Virtual Technologies and Uses
Musical Meshworks: From Networked Performance to Cultures of ExchangeDIS 2014219-228
- IlluminationsAugust 30, 2011Shortly after Easter 2017 the medieval St Andrew’s Church in Heckington, Lincolnshire witnessed an immersive world of art, sound and history. A collection of artworks and performances used digital technologies to show the church’s past and its plac...
- Friends of Tynemouth Outdoor PoolAugust 30, 2011This project investigated the appropriation of a Facebook page by a group of residents as site for discussion and where a campaign to save a derelict outdoor swimming pool developed. Through in-depth analysis of Facebook data, the project explores the ...